CDRP Events

Dziga Vertov: Film Eye and Film Ear

April 06, 2018, 7:00 p.m.–July 04, 2018, 5:00 p.m.

IU Cinema

The Russian/Soviet director Dziga Vertov is without question one of the most important documentary filmmakers in history. He was committed to artistic experimentation and the use of nonfiction images and yet was a rigid supporter of Soviet policies and a fierce proponent of montage editing. He was also a difficult, opinionated, occasionally irascible artist, who […]

Visible Evidence XXV

August 08, 2018–August 11, 2018

Event Archive

Considering Fernando Birri

February 09, 2018–February 10, 2018


Wounded Galaxies: 1968–Beneath the Paving Stones, the Beach

February 06, 2018, 8:00 a.m.–February 11, 2018, 10:00 p.m.

Multiple venues.

Wounded Galaxies: 1968 – Beneath the Paving Stones, the Beach is a festival and symposium produced by The Burroughs Century Ltd., welcoming scholars, writers, artists, archivists, filmmakers, performers, and others interested in exploring the intellectual and aesthetic legacy of 1968, during its 50th Anniversary year. Programs focus on the events that occurred in Paris, Chicago, and […]

U.S. Premiere: "Port Triumph"

February 05, 2018, 7:00 p.m.

IU Cinema

In the 1970s, 1500 organized workers of Puerto el Triunfo–mostly women–thanks to their struggles were among the more privileged laborers in El Salvador. Then state repression eliminated union leaders or drove them into exile. By 1990, the fishing industry collapsed. The film provides a window into the effects of neoliberalism. Jeffrey Gould, the director of […]

Avant-Noir: Experimental Media from the African Diaspora (Shorts Program)

January 19, 2018, 6:30 p.m.

IU Cinema

In presenting his first Avant-Noir program in 2014, independent moving image curator Greg de Cuir Jr. conceived of it as “an intervention into the status quo of alternative film and video curating.” This second volume continues his project with a collection of short films and videos from young and established artists both of African and non-African descent, […]

Ariella Azoulay: POTENTIAL HISTORY OF THE ARCHIVE | A Micro Study of a Macro Institution

December 01, 2017, 4:30 p.m.

Fine Arts, Room 102

People relate to the archive as if it is a distinct object with its own history. However, it is through “its” histories that the archive is invented and conceived as a self-same institution that persists with little change from antiquity to the present. Most histories of the archive share the presupposition that the archive is the walled place where documents of the past, produced elsewhere, are stored and preserved. This tripartite conglomerate of documents, bygone time and a walled space dissociates the archive from the imperial regime of which it is part and limits its existence to one of being a depository of documents. And if documents were not the archive’s raison d’être?

Prof. Ruth Behar: Entrusting Myself to the Beauty & Danger of Life | Journeys of an Ethnographic Writer

November 03, 2017, 3:00 p.m.

GSIB Auditorium

There is beauty and danger in any ethnographic journey. Ethnographers entrust themselves to the unpredictable. Our writing is in perpetual motion between the desire to depart somewhere and the desire to return from somewhere. In my lecture I will examine this continuum, discussing real and imaginative journeys and how they have come together in my exploration of vulnerability and the search for empathy.

Screening and panel discussion on documentary film, “I Learn America”

October 16, 2017, 6:30 p.m.

Woodburn Hall 101

The Center for Documentary Research and Practice invites you to a screening and panel discussion of the documentary film, “I Learn America,” on Monday, October 16th, at 6:30 pm in Woodburn Hall 101.  Our guest speaker, documentary filmmaker Jean-Michel Dissard, will introduce the film.  IU faculty members Bernard Fraga (Political Science, CRRES, Latino Studies) and Ellen Wu (History, American Studies, Asian American Studies, CRRES) will be respondents to the film, followed by questions and comments from the audience.

Rebecca Wexler: A Rule of Equivalents | Video as Big Data Collection for Purposes of Investigation and Trial

January 22, 2017, 12:00 p.m.–7:00 p.m.

Maurer School of Law

As part of our inaugural lecture series, Rebecca Wexler, a founding director and instructor for the Yale Visual Law Project, discussed the relationship between documentary photography and the law. In doing so, she challenged the seemingly evidentiary nature of digital images in the courtroom and questioned the ethics of using proprietary software as an investigative tool.